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Upcoming Shows
 
Thurs, Apr 29
10pm
New Orleans, LA
@Republic NOLA, with Julian Casablancas
Fri, Apr 30
7pm
Lafayette, LA
@The Wesley, ALL AGES
Sun, May 2
10pm
New Orleans, LA
@Circle Bar, w/ Vox and the Hound and Picardy Birds
Tues, May 18
9pm
Athens, GA
@Rye Bar, w/ The Migrant
Wed, May 19
8pm
Chapel Hill, NC
@The Cave, w/ The Migrant
Fri, May 21
7pm
Philedelphia, PA
@Green Line Cafe
Sun, May 23
8pm
Burlington, VT
@Radio Bean
Mon, May 24
8pm
Arlington, VA
@IOTA
Tues, May 25
9pm
Wilmington, DE
@The Blue Parrot w/ The Hold Up
Wed, May 26
10pm
Charlotte, NC
@The Evening Muse

Bio

Biography

     Proudly hailing from diverse and colorful New Orleans, Glasgow is a rock band that marries neat suburban charm with boisterous city noise. The outfit centers around the prodigious, string-playing Craft brothers, whose preteen exploits with the traditional jazz revivalist New Leviathan Oriental Fox-trot Orchestra put them on the professional map early in life. Classically trained and well versed in campy kitsch of the 1920s, the industrious Crafts soon decided that teen angst was getting the best of them. So, they set out to put together one of the most interesting rock bands to come out of the Crescent City in recent memory. The result is a hard rocking hybrid of classical and classic rock, with a little Vaudeville thrown in for good measure. Glasgow’s eclectic sound employs Sam's electric violin and Jack's cello, harking back to Electric Light Orchestra, Queen, and David Bowie, all filtered through the lens of Zappa-esque absurdism.

     Glasgow has spent much of 2009 touring in support of debut LP 'On Earth'. After releasing the record in February, the Craft brothers were joined live by Jon Arceneaux on drums, George Elizondo on bass, and Alexis Marceaux on auxiliary percussion and backing vocals. Since releasing 'On Earth', Glasgow has shared stages with such notables as Dinosaur Junior, Third Eye Blind, She Wants Revenge, Paper Route, and Augustana.

     The band’s regional output has garnered them praise amongst the Southeast’s finest ears. Acclaim for their explosively theatrical live shows earned the band Gambit Weekly’s title of New Orleans’ Best New Local Band in 2007. More recently, Glasgow has been honored for their successes with 'On Earth' by feature spreads in New Orleans' Times Picayune, Offbeat Magazine, AntiGravity Magazine, Baton Rouge's Tiger Weekly, Lafayette's the Times Acadiana, The Hattiesburg American and many others. These lauds, combined with a hefty resume of headlining shows and festival appearances give Glasgow a clear path to ubiquity in the coming months, strings attached.

 

Personnel

Jon Arceneaux: drums, vacant stares -
Jon, a master of the skins, is, ironically, covered in hair. He sculpts it well. Jon is also a fiendish consumer of sushi and can Sake-it-to any self-proclaimed sushi addict. Jon's a jazz major at the University of New Orleans. Besides drums, his favorite subjects are Early Flemish Painters and recess.
Epitaph: "God took from us the greatest drummer who ever lived, thanks to mercury poisoning from too many tuna rolls."

Jack Craft: lead guitar, keys, cello, backing vox, makin' gumbo -
Jack's main squeeze is the cello, but cheats with the guitar. No 'strings' attached? Doubtful: The only thing bigger than Jack's love for okra is his pedal board.
Jack is closing in on a degree from Loyola University in Cello Performance. Jack is also a photography geek, and with little prompting will school you on f-stop, aperture, bokei, and a host of other George Eastman-y jabberwocky. We still like him anyhow.
Epitaph: "Devoted husband, loving father, bad skydiver."

George Elizondo: bass, backing vox, infectious happiness -
George was raised in Managua, Nicaragua, where he mastered the art of acupuncture and the electric bass. No, seriously, the kid knows him some acupuncture. George is also an accomplished unicyclist. Ok, THAT's a lie.
George is a psychology student at the University of New Orleans. It explains why he's such a good listener.
Epitaph: "Adios."

Sam Craft: guitar, violin, lead vox, 'fro -
When not fiddling, Sam is an awesomely-bad-movie buff. Twister, Dante's Peak, and The Perfect Storm are his top 3, FYI. Eye of the beholder and whatnot.
Sam graduated this past winter from Loyola University with a degree in Violin Performance. Sam learned to sing in the shower, which is why, to this day, he perfers not to wear shoes on stage.
Epitaph: "See you in 2012."

Alexis Marceaux: vocals, auxiliary percussion, PB&J connsoisseur -
Alexis and family were uprooted in the aftermath of Katrina and sought refuge in a rural estate on the safe, scenic North Shore of Lake Ponchartrain. We've successfully dragged her back down into the squalor. Alexis has received formal training in voice from the New Orleans Center for the Creative Arts (same place the Craft Brothers and Jon Arceneaux learned their chops), which she wastes in our penny-ante rock band. Alexis also has her own band: http://www.alexismarceaux.com.
Epitaph: "This is why you don't eat crawfish with straight tails."

Music

Music

<a href="http://glasgow.bandcamp.com/album/1986-ep">Birth of Joshua by Glasgow</a>

Photos

Photos

Photo by Marie Kimball

Photo by Robby Klein

Glasgow at House of Blues New Orleans. Photos Courtesy of Tigerweekly.com Sam at HOB
Jack at HOB
Jack and Jon at HOB

1986

1986

Glasgow is currently working on a mostly-acoustic indie rock opera called 1986. It's still in development and has an anticipated release date of May 2010.
In the meantime, we've released (free of charge) the 1986 EP, a preview of some of the songs to be featured in the final production.
A full album will follow, as well as varied production


THE STORY OF 1986

On January 1st, 1986, a prostitute, Mary, gives birth to a son, Joshua. We learn that the father, Joseph, met Mary on an impromptu, late-night tryst and developed a brief, secret, and passionate relationship with her, despite his prominent (and public) position in military politics and his blond-haired, blue-eyed wife back home. Mary gets pregnant and, wishing to start fresh and shed her ill-repute, decides to have the kid. By this time and despite many promises to provide for Mary, Joe has fled back to his "happily married" existence in Washington and won't return Mary's many attempts to get a hold of him.

 

[Riveting! The plot thickens...]

 

It turns out Joseph is an appointee of the National Security Council, who are deeply entrenched in a secret weapons-for-hostages trade with Iran during the Iran-Iraq War. As if that wouldn't draw enough intrigue, the NSC, on a somewhat random power trip, decides to funnel some of the profits from their arms dealings to subsidize the Contras, a Nicaraguan guerilla group who opposes the communist regime in that country. [Oh no they didn't!] Due to the subversive nature of these activities, Joseph is made to keep them under wraps by the rest of the Reagan cabinet. (Joseph's character and plight is very literally based on an amalgam of real-life former National Security Advisors Robert McFarlane and John Poindexter, perhaps with a little Ollie North thrown in for completeness.)

 

[Now THAT'S edu-tainment!]

 

Mary spends the year trying to track Joe down, both to get him to acknowledge his son and to do what she can to intercede when she realizes she can sway her baby's father from his ill deeds (which she picked up on via happenstance pillow talk during their romance). Mary [Magdelene, anyone?] is convinced that since Joshua [ = Yeshua = Hebrew for 'Jesus'] has "saved" her from her former life of prostitution, so can he save Joseph [of Nazareth? Snap.] from his shame of deceiving the American people and many of his colleagues in Washington (notwithstanding his adultery with Mary).

 

[Brain has officially exploded. I don't think I want to know what happens next.]

 

Too bad. Joseph travels overseas to nullify the NSC's deal with Iran. The whole thing ends in a standoff between Joseph and the NSC's Middle-East middleman, a high-ranking Hezbollah militant. Mary, still in pursuit and baby in arms, get caught in the conflict and is taken hostage.

 

[How ever will this situation be resolved?!]

 

Sorry, you'll have to wait for our big premier in May. But know that the ending is pretty epic.

Video

Video



OLD STUFF



Press

Press

Jan 8, 2010
John Wirt gave of Baton Rouge's periodical The Advocate interviewed Sam for an article in Jan, 2010. Read it Here

Jan 7, 2010
Glasgow featured on the cover of HUB, the entertainment section of the Hattiesburg American. See the Cover / Article

Nov 16, 2009
Dallas TV Station the 33 CW was at our set at VOODOO Fest 2009, and took some photos of us. (We're pics 12 and 13, right after Jane's Addiction.)

NewOrleans.com also covered our set. See their pics here here.

Oct 20, 2009
NewOrleansPartying.com covered our Alladin-themed show at Republic NOLA and posted a video of our antics. See it here.

Aug 25, 2009
Capt Abernathy of Groovescapes.com gave us an awesome review in August '09 from a Carrollton Station show. Read it here.

July 1, 2009
Morgn Mitchener of Baton Rouge's Tiger Weekly wrote a show preview for our show at Roux House. Read it here.

Mar, 2009
Tiger Weekly from Baton Rouge took some awesome shots of us opening for Third Eye Blind at the House of Blues New Orleans. See them here.

 

 

Quotes

"...'On Earth', a record that grabbed me instantly, both out of warmth and familiarity but also because of its utter unclassifiability. Listening to 'Earth' in its entirety once or twice is simply not enough to even begin to crack the core—from the clean, crisp Duane Dennison slink of the lead guitar on “Monkey” to the purposefully buried percussive responsorials on “Slave” and on and on, each listen presents something new or previously understated."
-Dan Mitchell, AntiGravity Magazine

"...'On Earth' plays out a lot like human history: sometimes great, a bit imperfect, and worth the effort."
-Rory Callais, Offbeat Magazine

"The eleven-track 'On Earth' takes chances with noisy soundscapes and classical string ensembles ... “Samurai” has plenty of little tricks via scale play and good mood-setting, and is a personal favorite."
-Brian Serpas, AntiGravity Magazine

"Brothers Sam and Jack Craft, the principals of Glasgow, weave together classical flourishes, They-Might-Be-Giants-style pop and Zappa-esque absurdisms throughout 'On Earth,' Glasgow's ambitious new CD..."
-Keith Spera, New Orleans Times-Picayune

"Glasgow, the brainchild Sam and Jack Craft, closed out the festival with a tightly orchestrated set of prog-pop that seemed to bridge the gap between Frank Zappa and Devo. Quirky, jagged, intricate and infectious, their jerky junket was both fun and fantastical. Apparently, when carried out with exacting precision and packed with twisted power-pop, brainy, experimental opuses are all the rage."
-Live Review: Indie Rock Fest II, CaptAbernathy, Groovescapes blog

Contact

Contact

Publicist:
Kelly Rayner
(504) 388-0157
kelly@glasgowband.net

Booking Louisiana, Mississippi, Alabama:
Sam Craft
booking@glasgowband.net

Booking Elsewhere:
Chris Gerstner
Shiloh Productions
chris@shilohproductions.net

Webmaster:
Jack@glasgowband.net